Two images dominate the first season of ANGEL: The first (later to be caught as the final image in the show's credits) shows our titular hero-- a vampire with a soul who fights for good in order to atone for past sins--staking two vampires and stalking off into the night, his long leather duster swirling behind him. Framed by a dirty, shadow-strewn alley, Angel seems the embodiment of Raymond Chandler's noir detective, "down these streets a man must go who is not himself mean, who is not himself tarnished nor afraid....He is a lonely man and his pride is that you will treat him as a proud man or be very sorry that you ever saw him." The second, quite different image is distinctively UN-proud, as Angel imagines himself dancing at a friend's party. David Boreanez, who plays Angel, is shown doing...well, the dorkiest dance ever, full of arhythmic arm movements, regrettable hip sways, and a positively marmaduke-like tongue flapping through his lips. Flashing back to reality, Angel says, completely deadpan, "I don't dance." Somewhere between those two images-- the first full of epic darkness and danger, the second oozing humorous satire-- lies the tone of this BUFFY spinoff's first year. It's far more "stand-alone" in its episodic structure than the next three years will be, and there's clearly a lot of feeling around going on, as co-creators Joss Whedon and David Greenwalt and their cast try to figure out the beat of this new song they're playing. I give it four stars because there are still an extraordinary number of high-quality episodes on display here (particularly those involving Angel's first partner, Doyle), and because I think it's fascinating to watch talented people go through creative growing pains in public. ANGEL has often been treated like that dorky dancer at the party-- you smile politely, eke out a wan compliment or two on its behalf, and quickly try to find the cool kids at the TV party (Dawson, is that you?). Its network, the WB, never quite knew what to do with the show, changing its airtime several times and eventually canceling the program despite an uptick in ratings. Even fans of BUFFY have sometimes treated ANGEL like the stepkid, the Dawn of the Buffyverse. This is a shame, because ANGEL, even in this slightly less focused first season, has always offered as much bang for the buck as Buffy (and, in seasons two and three, surpasses its parent in quality). After reaching a perfect closure to its first, high-school based half, BUFFY saw the departure of three seemingly minor figures at the end of season three-- Cordelia, the sarcastic school princess, forced to work as a secretary after her parents were indicted on tax fraud; Wesley, the oafish Watcher who generally caused as much trouble as he prevented; and Angel, of course, Buffy's paramour/arch enemy. OK, that last one is not minor, but really, his Buffy storyline was pretty much wrapped up. He moved on, as did the other two, winding up in LA, where he opened a supernatural detective agency and, aided by Cordelia, Wesley, and the mysterious, vision-prone Doyle, fought the demons and lawyers (but I repeat myself) Chandler never would have dream ed of. Yes, it sounds goofy. So does BUFFY, if you boil it down to a couple of sentences. So does the SOPRANOS. And the SIMPSONS. And the WEST WING. And THE LITTLEST GROOM. (OK, that last one I'll give you). It's not about plot, it's about execution, and in the hands of Whedon and Greenwalt, two of TV's best writers, ANGEL blossoms, as Boreanez, Charisma Carpenter, Glenn Quinn and Alexis Denisof all flesh out potentially hazardous stereotypes (Carpenter, in particular, is a comic delight) and help to tell stand-alone tales of tremendous adventure, horror, humor and grace. Grace is the most important quality, both for Angel, the character (seeking redemption) and ANGEL, the show (offering a spirit of generosity to character and genre rare for TV). The result is perhaps best summed up by Raymond Chandler, if we imagine him speaking of television shows: "If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in."